Coastal Sage Montessori
Materials Spotlight: The Montessori Bells
October 16, 2024

Montessori Bells teach children musical expression, pitch awareness, and note reading through hands-on learning.

Music is a form of language. Because our young children effortlessly absorb language, we, of course, provide them with opportunities to express themselves musically! One key material we use for this is the Montessori Bells.

 

The bells are perfectly tuned, each designed to deliver a distinct, pure tone when gently played with a mallet. Also aesthetically pleasing, the bells invite children into the world of music. This helps children develop a keen ear for pitch and tone, while encouraging an appreciation of musical instruments and expression.

 

The Montessori Bells

 

In our primary classrooms, the Montessori Bells are easily accessible on a specially designed wooden stand or table, each bell arranged in order according to its pitch.

 

There are two sets of 13 bells. One set has black and white stands and is set up in the back to serve as a control and is arranged like a piano keyboard (the white bells represent whole notes, while the black bells serve as the sharps and flats). The other set of bells has stands of natural, varnished wood, so we call them the brown bells. Each brown bell is paired with a white or black bell, and these 13 pairs of bells comprise the chromatic scale beginning at middle C.

 

The bells sit on boards that also serve as guides. The brown bells rest on a pattern of black and white rectangles corresponding to the keys of a piano.

 

Playing One or Two Bells

 

After our youngest children have learned how to care for materials and have had plenty of experience discriminating sounds with our sound cylinders, we show them how to play a single bell. This is a multi-part process: how to carry the bell, use a mallet to gently strike the bell to make a tone, appreciate the sound the bell makes, use a damper to stop the tone, and return the bell to its proper place in the set.

 

Returning the bell to its proper place prepares children for future work of pairing and grading the bells. So, we take time to model how to check that the tone of the brown bell matches the corresponding white (or black) bell behind it.

 

Once children learn these steps, they can select any of the brown bells to play. Eventually, we also show children how to choose and play two different brown bells. This experience helps children focus on the fact that the two bells look the same but sound different. Then, upon returning the bells to the set, children also get to work on finding where each brown bells goes (because there are two empty spaces) by matching the tone of the brown bells to the white or black bells in the back.

 

This may seem like quite an elaborate process for just “playing a bell or two.” However, we carefully break down each step so that even our youngest children can learn how to use this delicate instrument with precision while also beginning to hone in on the slight variations in each bell’s pitch.

 

Pairing

 

When we observe children’s success with this initial process, we introduce the challenge of pairing. This experience begins with the adult letting the child know in the lesson that the bells are on their boards in a particular order. We play up the brown bells and down the white bells so the child can hear the gradation and experience the impression of the C scale. Next we model how to remove four brown bells from their boards, mix them, and place them in an open space off to the side.

 

While showing this process, we reflect aloud how we could match the brown bells to their pairs when we had just two bells. We point out that we can use the same technique to find the matching pairs of the bells we just mixed up and moved to the side.

 

We start by moving one of the brown bells to a space in front of the first empty white space (always working from left to right). We play the white (control) bell and then the brown bell. If they sound the same, we move the bell up onto the white space on the board. If they sound different, we slide the bell to the right to be in front of the next empty white space and we repeat the process until finding the brown bell’s match and location. When all the brown bells are paired, we again play up the brown bells and down the white bells to check they are in the correct order.

 

Once we finish modeling, we select the same four bells, mix them to the side of the workspace, and invite the child to pair the bells. We stay long enough to see successful matching of the first bell, then we fade into the background and observe. If the child is successful, we remove the same four and invite the child to do it again. If the first round was successful, we invite the child to remove all the brown bells and pair them!

 

Grading the Diatonic and Chromatic Scale

 

After children can pair all eight bells successfully, we introduce grading. This time, children learn how to put all the brown bells in order by paying attention to the degree of difference between each tone. This time, rather than using the white control bells to determine the order of the scale, children mix up and play the brown bells, using their awareness of the change in pitch to compare and reorder the bells. This requires children to have an acute awareness of each tone and how they differ. We start with just the white bells which represent the whole notes, and later introduce mixing in the black bells to make the chromatic scale (with sharps and flats).

 

Language Material

 

After children have successfully paired and graded the diatonic scale, we also introduce the “writing and reading” component of the bells. Children learn the symbols and names for the pitches and match the pitches with their notes.

 

When writing in language, we have thoughts we want to express and we can write them down. Composers have melodies in their heads and they write those melodies by using the notes of the staff.

 

We use beautiful staff boards with small wooden circles so that children can learn how to place the notes on the staff and eventually even write their own music, similarly to how they write with the moveable alphabet. Like with spoken language, children first explore through writing and then reading melodies.

 

Musical expression is woven into our primary classrooms. Schedule a tour to hear for yourself!

By Jasmine Parks 16 Oct, 2024
Montessori Bells teach children musical expression, pitch awareness, and note reading through hands-on learning.
29 Jul, 2024
In Montessori, we want children to embrace mistakes as opportunities to understand how to improve. Our goal is for children to understand that feedback is important for knowing what still needs to be done and what still can be learned. What does feedback look like in Montessori classrooms? We take care to cultivate a culture of feedback. Even at the early childhood level, we start this approach with a gentle noticing that allows children to begin to develop some self-assessment. For example, when we see that someone has left their chair out, rather than reminding and instructing by saying something like, “Push in your chair,” we offer an observation, “I see that your chair is out.” By making a neutral observation, we provide children with the chance to notice and make a choice. They can make their own realization: “Oh, I forgot to push my chair in!” As a result, children can have agency in the process. In social situations, we can use similar reflections. When someone is unkind to a peer, we might say, “It looks like your friend/sibling/classmate is feeling hurt.” We can also wonder aloud: “I wonder what would help them feel better. Should we check?” Or “Would you like some help checking in with them?” Ultimately, children want to do the right thing. But when we overinstruct or always dictate what should happen, we deprive children of the opportunity to develop their own inner drive to make the right choice and follow through with action. How does Montessori support self-assessment? Many of the Montessori learning materials are “self-correcting” or have a built-in “control of error,” which means children can tell if they have done an activity inaccurately and try again without an adult needing to intervene. In our primary classrooms, the sensorial materials offer an excellent example of how the materials help children assess their own mistakes. If the largest cube isn’t used at the base of the pink tower, and then the next largest is placed progressively after, the tower won’t be stable. If the last knobbed cylinder doesn’t fit in the last space in the cylinder block, it’s clear that the pieces need to be rearranged. Because the materials are designed to give feedback, children begin to learn early on that they can recognize, understand, correct, and learn from mistakes. As the materials get more advanced, children are able to use answer keys to check and correct their work. They can use control cards to see if they have used labels or identification markers accurately. Children are able to take control of their own learning and not rely on adult correction or judgment. The result? Children are motivated to try new things and take risks in their learning. How does this approach work with more advanced academics? As children get older and need feedback on essays or other work, we are careful about how we frame our responses. We recognize that our responses can significantly impact motivation, self-esteem, and a love of learning. Therefore, rather than emphasizing failure with red marks and X’s, we emphasize areas for growth. A focus on growth can start with noticing what is right. For example, perhaps an elementary-aged child is working through a series of geometry lessons and has tried to abstractly determine the area of different shapes. By noticing what has been mastered, we are providing feedback about areas of strength: “Wow! You really aced a number of questions about area. You must feel really confident with calculating the area of squares and rectangles!” Recognizing what is going well sends a message that students’ efforts are valuable and that their hard work toward mastery has an impact. It’s important to note that this is slightly different than praise. Rather, we are highlighting success instead of focusing on failures. It’s a subtle shift but one that makes a huge difference. In addition, we ensure that any feedback offers room for students to revise and improve their work. Whether children are working on honing an essay or mastering long division, we ensure that they have the chance to incorporate the information, repeat or revise their attempts, and move toward mastery. In reality, children love checking and discussing their own answers! Their conversations about mistakes, corrections, and revisions are the place where really fruitful learning often happens. Older children typically enjoy debating and discussing wrong answers with each other. In the process, Montessori students begin to understand mistakes as a place to explore and grow, which ultimately strengthens their critical thinking skills. Why is a healthy approach to feedback beneficial? The authors of Thanks for the Feedback: The Science and Art of Receiving Feedback Well researched feedback and found that learning how to receive feedback effectively is key to healthy relationships and our professional lives. We want our students to develop a healthy and positive relationship with feedback so they understand that feedback is a gift that allows us to become better as people and at what we do. Montessori children develop confidence and self-sufficiency through work with self-correcting materials, thoughtful space for revision and mastery, and intentional messaging from adults. They learn to appreciate opportunities for critical thinking and problem-solving. We invite you to come see how children embrace opportunities for growth and mastery. Schedule a tour today! We’d love to hear your feedback!
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